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Is There Japanese Writing In The Sailor Moon Anime

Manga series by Naoko Takeuchi

Sailor Moon
SMVolume1.jpg

Comprehend of the first book of Sailor Moon, featuring the titular character

美少女戦士セーラームーン
( Bishōjo Senshi Sērāmūn )
Genre Magical girl
Manga
Written past Naoko Takeuchi
Published by Kodansha
English publisher

AUS

Penguin Books Commonwealth of australia

NA

Kodansha Comics

Britain

Turnaround Publisher Services

Magazine Nakayoshi
English magazine

NA

Mixxzine, Grinning

Demographic Shōjo
Original run Dec 28, 1991February iii, 1997
Volumes 18 (commencement edition)
12 (second edition)
10 (third edition)
(List of volumes)
Anime television series
  • Sailor Moon (1992–1997)
  • Sailor Moon Crystal (2014–2016)
Other media
  • Codename: Sailor V (1991–1997)
  • Pretty Guardian Crewman Moon (live-action, 2003)
  • Films:
    • Crewman Moon R: The Movie (1993)
    • Crewman Moon S: The Movie (1994)
    • Crewman Moon SuperS: The Picture show (1995)
    • Sailor Moon Eternal (2021)
    • Sailor Moon Cosmos (2023)
  • Collectible Card Game
  • Musicals
  • Soundtracks
  • Video games

Sailor Moon (Japanese: 美少女戦士セーラームーン, Hepburn: Bishōjo Senshi Sērā Mūn , originally translated equally Pretty Soldier Sailor Moon [1] and later as Pretty Guardian Crewman Moon [two] [iii]) is a Japanese shōjo manga series written and illustrated by Naoko Takeuchi. It was originally serialized in Nakayoshi from 1991 to 1997; the threescore individual chapters were published in eighteen volumes. The series follows the adventures of a schoolgirl named Usagi Tsukino every bit she transforms into Sailor Moon to search for a magical artifact, the "Legendary Silver Crystal" ( 「幻の銀水晶」 , Maboroshi no Ginsuishō , lit. "Phantom Silver Crystal"). She leads a grouping of comrades, the Sailor Soldiers, called Sailor Guardians in later on editions, every bit they battle against villains to forbid the theft of the Silver Crystal and the devastation of the Solar Organization.

The manga was adapted into an anime series produced by Toei Animation and broadcast in Nihon from 1992 to 1997.[4] [5] Toei likewise developed 3 animated feature films, a television special, and 3 curt films based on the anime. A alive-action idiot box accommodation, Pretty Guardian Sailor Moon, aired from 2003 to 2004, and a second anime series, Crewman Moon Crystal, began simulcasting in 2014. The manga series was licensed for an English linguistic communication release past Kodansha Comics in North America, and in Australia and New Zealand by Random Business firm Australia. The entire anime series has been licensed past Viz Media for an English language linguistic communication release in North America and by Madman Entertainment in Australia and New Zealand.

Since its release, Sailor Moon has received acclaim, with praise for its fine art, characterization, and humor. The manga has sold over 35 one thousand thousand copies worldwide, making it ane of the best-selling shōjo manga series.[half dozen] The franchise has also generated $13 billion in worldwide merchandise sales.

Plot [edit]

1 day in Juban, Tokyo, a centre-school educatee named Usagi Tsukino befriends Luna, a talking blackness true cat who gives her a magical brooch enabling her to transform into Sailor Moon: a soldier destined to save Earth from the forces of evil. Luna and Usagi assemble a squad of fellow Crewman Guardians to find their princess and the Silver Crystal. They run across the studious Ami Mizuno, who awakens as Crewman Mercury; Rei Hino, a local Shinto shrine maiden who awakens as Sailor Mars; Makoto Kino, a tall and potent transfer student who awakens as Sailor Jupiter; and Minako Aino, a young aspiring idol who had awakened every bit Sailor Venus a few months prior, accompanied by her talking feline companion Artemis. Additionally, they befriend Mamoru Chiba, a loftier school student who assists them on occasion as Tuxedo Mask.

In the first arc, the group battles the Dark Kingdom, whose members attempt to observe the Silver Crystal and gratuitous an imprisoned, evil entity chosen Queen Metaria. Usagi and her team observe that in their previous lives they were members of the ancient Moon Kingdom in a period of time called the Silver Millennium. The Night Kingdom waged state of war against them, resulting in the devastation of the Moon Kingdom. Its ruler Queen Serenity sent her girl Princess Serenity, reincarnated equally Usagi, forth with her protectors the Sailor Guardians, their feline advisers Luna and Artemis, and the princess'southward true beloved Prince Endymion, who in turn was reborn equally Mamoru.

At the beginning of the second arc, the Sailor Guardians meet Usagi and Mamoru'due south future girl Chibiusa, who arrives from a 30th-century version of Tokyo known as "Crystal Tokyo", which is ruled by Neo Queen Serenity, Usagi of future and has been attacked by the group of villains known as the Black Moon Association. During their journeying, Sailor Moon and her friends see Crewman Pluto, Guardian of the Time-Space Door. During the climactic battle of the arc, Chibiusa was once brainwashed by the enemy and turned into the Black Lady, simply was eventually reformed and awakens every bit a Guardian herself—Sailor Chibi Moon.

The tertiary arc introduces automobile-racer Haruka Tenoh and violinist Michiru Kaioh, who appear as Crewman Uranus and Crewman Neptune, whose duty is to guard the Solar Organization from external threats. Physics pupil Setsuna Meioh, Sailor Pluto's reincarnation, joins Uranus and Neptune in their mission to impale a mysterious daughter named Hotaru Tomoe, whom they place every bit the Guardian of Destruction Sailor Saturn. However, when Saturn awakens she joins the final fight against the main antagonists of the arc, the Death Busters, sacrificing her life in the process. With her newly obtained powers equally Super Sailor Moon, Usagi restores the Earth and Hotaru is reincarnated.

The 4th arc explores the Sailor Guardians' dreams and nightmares when the villainous group Dead Moon Circus exploits the Guardians' deepest fears, invades Elysion (which hosts the Earth's Golden Kingdom), and captures its High Priest Helios, who turned into a Pegasus and tried to enquire Guardians for help. This storyline likewise addresses Mamoru'due south relevance as protector of the World and possessor of the Gilt Crystal, the sacred stone of the Aureate Kingdom. Mamoru and all ten of the reunited Guardians combine their powers, enabling Usagi to transform into Eternal Crewman Moon and defeat Expressionless Moon's leader, Queen Nehelenia.

In the final arc the Sailor Starlights from the Kinmoku arrangement, their ruler Princess Kakyuu, and the mysterious little girl Chibi-Chibi join Usagi in her fight confronting Shadow Galactica, a group of both corrupted and false Sailor Guardians and led by Crewman Galaxia, who take been rampaging beyond the galaxy and killing other Crewman Guardians to steal their Star Seeds, Crewman Crystals—the essence of their lives. Later on Mamoru and all of the main Solar System Guardians are killed past Shadow Galactica, Usagi travels to the Milky way Cauldron, the birthplace of all Star Seeds of the Galaxy, in an endeavor to revive her loved ones and to confront Chaos, the source of all strife in the milky way.

Product [edit]

Creation of Sailor Moon [edit]

Naoko Takeuchi redeveloped Sailor Moon from her 1991 manga series Codename: Sailor V, which was first published on August 20, 1991, and featured Sailor Venus as the main protagonist.[7] Takeuchi wanted to create a story with a theme well-nigh girls in outer space. While discussing with her editor Fumio Osano, he suggested the add-on of Sailor fuku.[8] When Codename: Sailor V was proposed for adaptation into an anime past Toei Blitheness, Takeuchi redeveloped the concept and then Sailor Venus became a member of a team.[nine] [x] The resulting manga series became a fusion of the pop magical girl genre and the Super Sentai serial, of which Takeuchi was a fan.[11] Recurring motifs include astronomy,[8] astrology, gemology, Greco-Roman mythology,[12] Japanese elemental themes,[thirteen] : 286 teen fashions,[12] [xiv] and schoolgirl antics.[14]

Takeuchi said discussions with Kodansha originally envisaged a single story arc;[15] the storyline was adult in meetings a year before serialization began.[sixteen] : 93 After completing the arc, Toei and Kodansha asked Takeuchi to continue the series. She wrote 4 more story arcs,[fifteen] which were often published simultaneously with the v corresponding seasons of the anime adaptation. The anime ran 1 or two months behind the manga.[sixteen] : 93 Equally a result, the anime follows the storyline of the manga fairly closely, although in that location are deviations.[17] Takeuchi later said because Toei's production staff were mostly male, she feels the anime has "a slight male perspective."[17]

Takeuchi later said she planned to kill off the protagonists, but Osano rejected the notion and said, "[Sailor Moon] is a shōjo manga!" When the anime adaptation was produced, the protagonists were killed in the terminal battle with the Dark Kingdom, although they were revived. Takeuchi resented that she was unable to do that in her version.[18] Takeuchi also intended for the Crewman Moon anime adaptation to terminal for i flavor, but due to the immense popularity, Toei asked Takeuchi to continue the series. At first, she struggled to develop another storyline to extend the series. While discussing with Osano, he suggested the inclusion of Usagi's daughter from the future, Chibiusa.[18]

Westernization [edit]

Later on the Sailor Moon anime was released in North America and dubbed in English, fans and academics akin noted that the dub had westernized Sailor Moon from how it had been released in Japan. In the 1990's English language version of Sailor Moon, the westernization of the characters is seen in how a majority of the character names are changed from Japanese to English language names.[19] Sailor Moon'south civilian proper noun, Usagi Tsukino, is turned into Serena.[xix] The honey involvement of Sailor Moon, Mamoru Chiba, is turned into Darien.[20] : 272 Other examples of westernization referenced past Sailor Moon's audience were things similar flipping scenes of traffic to accept cars drive on the right side of the road forth with the English dub changing any conversations betwixt characters that contained lesser-known (in the United States at the time) Japanese cultural references.[21] According to Bandai America, the company in charge of Crewman Moon merchandise in the western hemisphere, the approach to advertising Sailor Moon was to make the show and super-heroine "'culturally appropriate' for the American marketplace".[twenty] : 265

LGBTQ+ censorship [edit]

The 1990's Sailor Moon anime also faced censorship internationally of characteristics regarded equally LGBTQ, or not "heteronormative".[19] Censorship in diverse countries ranged from changing a grapheme'southward gender to removing gender fluidness in characters, or editing romantic pairings into close relationships between family members.[22] English Professor Diana Burgos of Florida Atlantic University identifies that the 2014 remake of Sailor Moon titled Sailor Moon Crystal retains a lot of the central themes about gender and sexual identity that is showcased within both the manga and Japanese Sailor Moon anime, but removed from the 1990's Crewman Moon dub.[19] Folklore professor Rhea Hoskin specifies that the removal of homosexual and gender fluid characters in the 1990's Sailor Moon highlights the exclusivity of what was otherwise representation of LGBTQ in a female-leaded superhero show.[23]

Media [edit]

Manga [edit]

Written and illustrated by Naoko Takeuchi, Crewman Moon was serialized in the monthly manga album Nakayoshi from December 28, 1991, to February iii, 1997.[7] The side-stories were serialized simultaneously in RunRun—another of Kodansha's manga magazines.[vii] The 52 individual chapters were published in 18 tankōbon volumes by Kodansha from July half-dozen, 1992, to April 4, 1997.[24] [25] In 2003, the chapters were re-released in a collection of 12 shinzōban volumes to coincide with the release of the live-activeness series.[26] The manga was retitled Pretty Guardian Crewman Moon and included new embrace art,[27] and revised dialogue and illustrations. The ten individual short stories were also released in ii volumes.[28] [29] In 2013, the chapters were once over again re-released in 10 kanzenban volumes to commemorate the manga's 20th ceremony, which includes digitally remastered artwork, new covers and colour artwork from its Nakayoshi run.[xxx] The books have been enlarged from the typical Japanese manga size to A5.[31] [32] The brusque stories were republished in two volumes, with the social club of the stories shuffled. Codename: Sailor V was besides included in the third edition.[32]

The Sailor Moon manga was initially licensed for an English release by Mixx (later Tokyopop) in Northward America. The manga was beginning published every bit a serial in MixxZine kickoff in 1997, but was later removed from the magazine and fabricated into a separate, depression print monthly comic to finish the first, second and third arcs. At the same fourth dimension, the fourth and 5th arcs were printed in a secondary magazine called Smile.[33] Pages from the Tokyopop version of the manga ran daily in the Japanimation Station, a service accessible to users of America Online.[34] The series was later collected into a three-part graphic novel serial spanning 18 volumes, which were published from December one, 1998, to September xviii, 2001.[35] [36] In May 2005, Tokyopop's license to the Sailor Moon manga expired, and its edition went out of print.[37]

In 2011, Kodansha Comics announced they had acquired the license for the Sailor Moon manga and its pb-in series Codename: Sailor 5 in English language.[38] They published the twelve volumes of Sailor Moon simultaneously with the two-volume edition of Codename Sailor V from September 2011 to July 2013.[39] [40] [41] The first of the 2 related short story volumes was published on September 10, 2013;[42] the second was published on November 26, 2013.[43] At Anime Expo 2017, Kodansha Comics announced plans to re-release Sailor Moon in an "Eternal Edition", featuring a new English translation, new cover artwork by Takeuchi, and color pages from the manga's original run, printed on extra-large premium paper.[44] [45] The first Eternal Edition volume was published on September 11, 2018;[46] the tenth and final book was published on October 20, 2020.[47] On July 1, 2019, Kondasha Comics began releasing the Eternal Editions digitally,[48] following an announcement the day before about the serial being released digitally in ten different languages.[49] In November 2020, Kodansha Comics appear plans to re-release the Sailor Moon manga over again equally role of their "Naoko Takeuchi Collection".[50] The company described the new edition as a "more than affordable, portable" version of the Eternal Edition. The get-go volume volition exist published on April 5, 2022.[51]

Sailor Moon has also been licensed in other English-speaking countries. In the United Kingdom, the volumes are distributed by Turnaround Publisher Services.[52] In Australia, the manga is distributed by Penguin Books Australia.[53]

The manga has been licensed in Russia and CIS for distribution past XL-Media publishing company, a subdivision of Eksmo publishing visitor. The first book was released in 2018.[54]

Anime series [edit]

Overview [edit]

No. Title Episodes Originally aired / Release date Direction
First aired Final aired
Sailor Moon
1 Sailor Moon 46 March seven, 1992 Feb 27, 1993 Junichi Sato
2 Sailor Moon R 43 March half dozen, 1993 March 12, 1994 Kunihiko Ikuhara, Junichi Sato (#1−thirteen)
Movie Sailor Moon R: The Movie December 5, 1993 Kunihiko Ikuhara
3 Sailor Moon Southward 38 March nineteen, 1994 February 25, 1995
Movie Sailor Moon Southward: The Moving picture December 4, 1994 Hiroki Shibata
4 Sailor Moon SuperS 39 March 4, 1995 March two, 1996 Kunihiko Ikuhara
Movie Sailor Moon SuperS: The Moving picture December 23, 1995 Hiroki Shibata
5 Sailor Moon Crewman Stars 34 March 9, 1996 Feb 8, 1997 Takuya Igarashi
Sailor Moon Crystal
vi Season I: Dark Kingdom 14 July v, 2014 January 17, 2015 Munehisa Sakai
vii Season II: Blackness Moon 12 February vii, 2015 July eighteen, 2015
8 Season 3: Expiry Busters thirteen Apr 4, 2016 June 27, 2016 Chiaki Kon
Movie Sailor Moon Eternal -Role ane- Jan eight, 2021
Motion picture Sailor Moon Eternal -Part 2- Feb 11, 2021
Movie Sailor Moon Creation -Part i- 2023 Tomoya Takahashi
Movie Sailor Moon Cosmos -Part two- 2023
Total 239 + vii March seven, 1992 June 27, 2016 -

Sailor Moon [edit]

Toei Animation produced an anime television series based on the 52 manga chapters, besides titled Pretty Soldier Sailor Moon.[4] [5] Junichi Sato directed the first flavour, Kunihiko Ikuhara took over second through quaternary season, and Takuya Igarashi directed the 5th and final season.[55] The serial premiered in Nippon on TV Asahi on March 7, 1992, and ran for 200 episodes until its conclusion on February 8, 1997. Upon its release, the evidence rapidly rose to be Toei Animation'due south highest ranked TV series.[20] : 260 Most of the international versions, including the English adaptations, are titled Sailor Moon.

Sailor Moon Crystal [edit]

On July half-dozen, 2012, Kodansha and Toei Animation announced that it would embark production of a new anime adaptation of Crewman Moon, called Pretty Guardian Sailor Moon Crystal, for a simultaneous worldwide release in 2013 as part of the series's 20th anniversary celebrations,[56] [57] [58] and stated that information technology would be a closer accommodation of the manga than the outset anime.[59] Crystal premiered on July five, 2014, and new episodes would air on the first and third Saturdays of each month.[sixty] New cast were announced, forth with Kotono Mitsuishi reprising her role as Sailor Moon.[61] The starting time two seasons were released together, roofing their respective arcs of the manga (Night Kingdom and Black Moon). A third season based on the Infinity arc on the manga premiered on Japanese television on April iv, 2016, known as Death Busters arc in this adaptation.[62] Munehisa Sakai directed the first and second season, while Chiaki Kon directed the third flavour.

Films and television specials [edit]

Three animated theatrical characteristic films based on the original Sailor Moon serial accept been released in Japan: Crewman Moon R: The Movie in 1993, followed by Crewman Moon Southward: The Movie in 1994, and Crewman Moon SuperS: The Moving picture in 1995. The films are side-stories that do non correlate with the timeline of the original series. A one-60 minutes goggle box special was aired on Tv set Asahi in Japan on April 8, 1995.[63] Kunihiko Ikuhara directed the starting time film, while the latter two were directed by Hiroki Shibata.

In 1997, an article in Variety stated that The Walt Disney Company was interested in originally acquiring the rights to Sailor Moon every bit a live action motion-picture show to be directed by Stanley Tong.[64] Later Disney put the project into turnaround, Paramount Pictures and Warner Bros. acquired the film rights.[ commendation needed ]

In 2017, it was revealed that Pretty Guardian Crewman Moon Crystal anime'south 4th flavor would be produced as a two-role theatrical anime film project, adapting the Dream arc from the manga.[65] On June 30, 2019, information technology was announced that the title of the films volition be Pretty Guardian Crewman Moon Eternal The Moving-picture show.[66] [67] The first motion-picture show was originally to be released on September 11, 2020,[68] simply was postponed and released on Jan 8, 2021, and the 2nd film was released on February 11, 2021.[69] Chiaki Kon returned from Crystal 's third season to directly the two films.[65]

In 2022, it was announced that a sequel to Pretty Guardian Sailor Moon Eternal The Film, covering the Stars arc of the manga would as well be produced as a two-part theatrical anime film projection, titled Pretty Guardian Sailor Moon Cosmos The Movie. Tomoya Takahashi is directing the two films, and will be released in Summer 2023.[70]

Companion books [edit]

There accept been numerous companion books to Crewman Moon. Kodansha released some of these books for each of the five story arcs, collectively called the Original Picture Collection. The books contain cover art, promotional material and other work by Takeuchi. Many of the drawings are accompanied by comments on the manner she developed her ideas, created each picture show and commentary on the anime interpretation of her story.[1] [71] [72] [73] [74] Some other picture drove, Book Infinity, was released as a self-published, limited-edition artbook subsequently the end of the series in 1997. This art volume includes drawings by Takeuchi and her friends, her staff, and many of the voice actors who worked on the anime. In 1999, Kodansha published the Materials Collection; this contained evolution sketches and notes for virtually every character in the manga, and for some characters that never appeared. Each drawing includes notes past Takeuchi about costume pieces, the mentality of the characters and her feelings about them. It besides includes timelines for the story arcs and for the existent-life release of products and materials relating to the anime and manga. A short story, Parallel Sailor Moon is too featured, celebrating the year of the rabbit.[15]

Novels [edit]

Sailor Moon was likewise adapted for publication as novels and released in 1998. The first book was written past Stuart J. Levy and the following written by Lianne Sentar.[75]

Stage musicals [edit]

In mid-1993, the offset musical theater production based on Sailor Moon premiered, starring Anza Ohyama equally Crewman Moon. 30 such musicals in all take been produced, with 1 in pre-production. The shows' stories include anime-inspired plotlines and original material. Music from the serial has been released on about 20 memorial albums.[76] The popularity of the musicals has been cited as a reason backside the product of the live-activity television series, Pretty Guardian Sailor Moon.[77]

During the original run musicals ran in the winter and summer of each twelvemonth, with summer musicals staged at the Sunshine Theater in the Ikebukuro area of Tokyo. In the wintertime, musicals toured to other large cities in Japan, including Osaka, Fukuoka,[78] Nagoya, Shizuoka, Kanazawa, Sendai,[79] Saga, Oita, Yamagata and Fukushima.[eighty] The last incarnation of the commencement run, New Legend of Kaguya Isle (Revised Edition) ( 新・かぐや島伝説 <改訂版> , Shin Kaguyashima Densetsu (Kaiteban) ), went on stage in Jan 2005, post-obit which, Bandai officially put the serial on a hiatus.[81] On June two, 2013, Fumio Osano announced on his Twitter page that the Crewman Moon musicals would begin again in September 2013.[82] The 20th anniversary testify La Reconquista ran from September 13 to 23 at Shibuya's AiiA Theater Tokyo, with Satomi Ōkubo as Sailor Moon. Satomi Ōkubo reprised the role in the 2014 production Petite Étrangère which ran from Baronial 21 to September 7, 2014, again at AiiA Theater Tokyo.

Live-activeness series [edit]

Unmade American remake [edit]

In 1993, Renaissance-Atlantic Entertainment, Bandai and Toon Makers, Inc. conceptualized their ain version of Sailor Moon, which was half live-action and half Western-style blitheness. Toon Makers produced a 17-infinitesimal proof of concept presentation video every bit well every bit a two-minute music video, both of which were directed by Rocky Sotoloff, for this concept. Renaissance-Atlantic presented the concept to Toei, but it was turned down as their concept would have cost significantly more than merely exporting and dubbing the anime adaptation.[83] [ unreliable source ]

At the 1998 Anime Expo convention in Los Angeles, the music video was shown. It has since been copied numerous times and has been viewed on many streaming video sites. Considering of the relatively poor quality of the source video and circulated footage, many anime fans thought that the music video was actually a leaked trailer for the project.[ original inquiry? ] Boosted copies of the footage have since been uploaded to the Internet and served only to eternalize the mistaken assumption, in addition to incorrectly attributing the production to Saban Entertainment, who became known for a similar treatment that created the Power Rangers series.[83]

In 1998, Frank Ward, along with his company Renaissance-Atlantic Amusement, tried to revive the idea of doing a live-action series based on Sailor Moon, this time chosen Team Angel, without the involvement of Toon Makers. A 2-minute reel was produced and sent to Bandai America, but was too rejected.[84]

Pretty Guardian Sailor Moon [edit]

In 2003, Toei Company produced a Japanese live-action Crewman Moon television series using the new translated English language title of Pretty Guardian Sailor Moon. Its 49 episodes were broadcast on Chubu-Nihon Broadcasting from October four, 2003, to September 25, 2004.[85] [86] Pretty Guardian Sailor Moon featured Miyuu Sawai as Usagi Tsukino, Rika Izumi (credited every bit Chisaki Hama) equally Ami Mizuno, Keiko Kitagawa as Rei Hino, Mew Azama equally Makoto Kino, Ayaka Komatsu as Minako Aino, Jouji Shibue equally Mamoru Chiba, Keiko Han reprising her vox role as Luna from the original anime and Kappei Yamaguchi voicing Artemis. The series was an alternate retelling of the Dark Kingdom arc, adding a storyline different from that in the manga and first anime series, with original characters and new plot developments.[77] [87] In add-on to the main episodes, two direct-to-video releases appeared later the testify concluded its idiot box broadcast. "Special Deed" is prepare four years after the master storyline ends, and shows the wedding of the two master characters. "Human action Zero" is a prequel showing the origins of Crewman 5 and Tuxedo Mask.[88]

Video games [edit]

The Sailor Moon franchise has spawned several video games across diverse genres and platforms. Nigh were made past Bandai and its subsidy Angel; others were produced by Banpresto. The early games were side-scrolling fighters; later ones were unique puzzle games, or versus fighting games. Another Story was a turn-based office-playing video game.[89] The merely Sailor Moon game produced exterior Japan, 3VR New Media's The 3D Adventures of Sailor Moon, went on sale in N America in 1997, They were adult in association with DIC Entertainment, which held the rights to the game and the Television series.[90] A video game called Sailor Moon: La Luna Splende (Crewman Moon: The Moon Shines) was released on March 16, 2011, for the Nintendo DS.[91]

Tabletop games [edit]

The Dyskami Publishing Company released Crewman Moon Crystal Dice Challenge, created by James Ernest of Cheapass Games and based on the Push button Men tabletop game in 2017, and Sailor Moon Crystal Truth or Bluff in 2018.[92] [93] [94]

Theme park attractions [edit]

A Crewman Moon allure, Pretty Guardian Crewman Moon: The Miracle iv-D, was announced for Universal Studios Japan.[95] It featured Crewman Moon and the Inner Guardians arriving at the theme park, only to observe and stop the Youma's plan from stealing people's energies. The attraction ran from March 16 through July 24, 2018.

The sequel attraction, Pretty Guardian Crewman Moon: The Miracle 4-D: Moon Palace arc, ran from May 31, 2019, to Baronial 25, 2019. It featured all 10 Sailor Guardians and Super Sailor Moon.[96]

In January 2022, a new attraction was appear titled Pretty Guardian Sailor Moon: The Phenomenon four-D ~Moon Palace arc~ Deluxe. The attraction volition feature the same storyline as the last and feature the Sailor Guardians in their princess forms. It will run from March iv, 2022, to August 28, 2022.[97]

Ice skating show [edit]

An water ice skating show of Sailor Moon was announced on June 30, 2019, starring Evgenia Medvedeva equally the lead.[98] The name for the ice-skating prove was announced every bit Pretty Guardian Sailor Moon: Prism on Water ice, equally well as the additional casts, with Anza from the offset Crewman Moon musicals to play Queen Serenity, and the principal voice actresses of Crewman Moon Crystal anime series to voice their individual characters. Takuya Hiramatsu from the musicals will write the screenplay, Yuka Sato and Benji Schwimmer are in charge of choreography, and Akiko Kosaka & Gesshoku Kaigi will write the music for the evidence.[99] The show was gear up to debut in early June 2020, but was outset postponed to June 2021, and later to June 2022, due to the COVID-xix pandemic.[100] [101] [102]

Reception [edit]

Sailor Moon is one of the most popular manga series of all time and continues to enjoy loftier readership worldwide. More than i million copies of its tankōbon volumes had been sold in Japan by the end of 1995.[xvi] : 95 By the series's 20th ceremony in 2012, the manga had sold over 35 million copies in over 50 countries,[103] and the franchise has generated $13 billion in worldwide merchandise sales equally of 2014.[104] The manga won the Kodansha Manga Accolade in 1993 for shōjo.[105] The English language adaptations of both the manga and the anime series became the first successful shōjo title in the United States.[106] The character of Crewman Moon is recognized every bit ane of the most important and popular female person superheroes of all time.[107] [108] [109] [110]

Crewman Moon has too become popular internationally. Sailor Moon was broadcast in Spain and France starting time in December 1993; these became the offset countries exterior Nippon to broadcast the series.[111] It was later aired in Russian federation, Republic of korea, the Philippines, China, Italy, Taiwan, Thailand, Indonesia and Hong Kong, before North America picked up the franchise for adaptation. In the Philippines, Sailor Moon was ane of its carrier network's master draws, helping it to become the third-biggest network in the country.[13] : x–11 In 2001, the Sailor Moon manga was Tokyopop'due south best selling belongings, outselling the side by side-best selling titles by at least a factor of ane.5.[112] In Diamond Comic Distributors's May 1999 "Graphic Novel and Trade Paperback" category, Crewman Moon Book 3 was the best-selling comic book in the The states.[113]

Academic Timothy J. Craig attributes Sailor Moon's international success to three things. First was the testify's magical girl transformation of ordinary characters into superheroes. 2nd was the ability of marketers to constitute the international audience's connectedness to characters despite their culture beingness Japanese. The third was the fact that the main superhero was female, something which was still rare in pop civilization in countries like the United States during the 1990s..[20] [ page needed ]

In his 2007 book Manga: The Complete Guide, Jason Thompson gave the manga series three stars out of four. He enjoyed the blending of shōnen and shōjo styles and said the combat scenes seemed heavily influenced by Saint Seiya, but shorter and less bloody. He likewise said the manga itself appeared similar to Super Sentai telly shows. Thompson found the serial fun and entertaining, merely said the repetitive plot lines were a detriment to the title, which the increasing quality of art could not make upward for; however, he called the series "sugariness, constructive entertainment."[106] Thompson said although the audience for Sailor Moon is both male and female person, Takeuchi does not use excessive fanservice for males, which would run the risk of alienating her female audience. Thompson said fight scenes are not physical and "boil down to their purest form of a clash of wills", which he says "makes thematic sense" for the manga.[114]

Comparing the manga and anime, Sylvain Durand said the manga artwork is "gorgeous", but its storytelling is more compressed and erratic and the anime has more character development. Durand said "the sense of tragedy is greater" in the manga's telling of the "fall of the Argent Millennium," giving more than detail well-nigh the origins of the Four Kings of Heaven and on Usagi's terminal battle against Queen Beryl and Metaria. Durand said the anime omits information that makes the story piece of cake to understand, only judges the anime as more "coherent" with a better balance of comedy and tragedy, whereas the manga is "more than tragic" and focused on Usagi and Mamoru's romance.[115]

For the calendar week of September 11, 2011, to September 17, 2011, the first book of the re-released Crewman Moon manga was the all-time-selling manga on The New York Times Manga Best Sellers listing, with the first book of Codename: Crewman V in second place.[116] [117] The first print run of the starting time volume sold out after 4 weeks.[118]

In English-speaking countries, Sailor Moon developed a cult following among anime fans and male university students.[12] Patrick Drazen says the Internet was a new medium that fans used to communicate and played a role in the popularity of Sailor Moon.[13] : 281 Fans could employ the Internet to communicate near the serial, organize campaigns to render Crewman Moon to U.S. broadcast, to share information about episodes that had non withal aired, or to write fan fiction.[119] [120] Gemma Cox of Neo mag said part of the serial's allure was that fans communicated via the Net near the differences between the dub and the original version.[121]

Cultural touch and legacy [edit]

With their dynamic heroines and action-oriented plots, many credit Sailor Moon for reinvigorating the magical girl genre. Afterwards its success, many like magical daughter series, including Magic Knight Rayearth, Wedding Peach, Nurse Angel Ririka SOS, Saint Tail, Cyber Squad in Akihabara and Pretty Cure, emerged.[106] : 199 [122] Crewman Moon has been called "the biggest breakthrough" in English-dubbed anime until 1995, when it premiered on YTV,[13] : x–eleven and "the pinnacle of trivial kid shōjo anime".[123] Cultural anthropologist Matt Thorn said that soon after Crewman Moon, shōjo manga started appearing in book shops instead of fandom-dominated comic shops.[124] The series are credited as beginning a wider movement of girls taking upwardly shōjo manga.[106] [125] Canadian librarian Gilles Poitras defines a generation of anime fans every bit those who were introduced to anime by Sailor Moon in the 1990s, saying they were both much younger than other fans and were also mostly female.[122]

Historian Fred Patten credits Takeuchi with popularizing the concept of a Super Sentai-similar team of magical girls,[126] [127] and Paul Gravett credits the serial with revitalizing the magical girl genre itself.[128] A reviewer for THEM Anime Reviews also credited the anime series with changing the genre—its heroine must use her powers to fight evil, not simply have fun as previous magical girls had done.[129] The series has also been compared to Mighty Morphin Power Rangers,[12] [20] : 259–278 Buffy the Vampire Slayer,[13] : 281 [130] [131] and Sabrina the Teenage Witch.[132] Sailor Moon also influenced the development of Miraculous: Tales of Ladybug & Cat Noir, Due west.I.T.C.H., Winx Lodge, LoliRock, Star vs. the Forces of Evil, and Totally Spies!.[133]

In western culture, Sailor Moon is sometimes associated with the feminist and Daughter Power movements and with empowering its viewers,[134] especially regarding the "credible, charismatic and contained" characterizations of the Sailor Guardians.[135] Although Sailor Moon is regarded as empowering to women and feminism in concept, through the aggressive nature and strong personalities of the Sailor Guardians,[136] information technology is a specific blazon of feminist concept where "traditional feminine ideals [are] incorporated into characters that human activity in traditionally male person capacities".[136] While the Crewman Guardians are strong, independent fighters who thwart evil—which is by and large a masculine stereotype—they are also ideally feminized in the transformation of the Sailor Guardians from teenage girls into magical girls.[12]

The most notable hyper-feminine features of the Sailor Guardians—and most other females in Japanese girls' comics—are the girls' thin bodies, long legs, and, in detail, round, orb-like eyes.[12] Eyes are commonly known as the primal source within characters where emotion is evoked—sensitive characters accept larger eyes than insensitive ones.[136] The stereotypical part of women in Japanese culture is to undertake romantic and loving feelings;[12] therefore, the prevalence of hyper-feminine qualities like the openness of the female center in Japanese girls' comics is clearly exhibited in Sailor Moon. Thus, Crewman Moon emphasizes a type of feminist model by combining traditional masculine activity with traditional female affection and sexuality through the Crewman Guardians.[136]

Merchandise [edit]

Every bit of 2022, Sailor Moon has grossed $14.3 billion in global sales, with $thirteen billion coming from merchandise lone.[137] Since the early 2000s, Toei Animation has collaborated with diverse different brands to create merchandise outside of children's demographic.[138] On Feb 20, 2020, ColourPop released a Sailor Moon inspired makeup collection.[139] Celebrating the 25th anniversary of Sailor Moon in the U.S., streetwear brand KITH released article of clothing like hoodies and t-shirts with Sailor Moon graphics on them.[140] In honor of Sailor Moon's 30th year anniversary, brands like Sanrio, Uniqlo, and Maison de FLEUR appear a collaboration on January 2022.[141] [142] [143]

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External links [edit]

  • Official Pretty Guardian Crewman Moon 25th anniversary projection website (in Japanese)
  • USA Network site (via Internet Archive)
  • Sailor Moon (manga) at Anime News Network's encyclopedia
  • Crewman Moon at Curlie
  • Bishōjo Senshi Sailor Moon at IMDb
  • Sailor Moon at Don Markstein's Toonopedia. Archived from the original on February x, 2017.

Source: https://en.wikipedia.org/wiki/Sailor_Moon

Posted by: bridgesshen1994.blogspot.com

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